In case anyone is wondering, yes: I’m playing around with a new website design. Going for something simple, clean, and easy to read. In other words, a better design. (I disliked how my last theme wouldn’t let me change the text color over the background image, which made it difficult to read. I could have removed the image, but I still wanted something graphic to show; the old theme didn’t look very good with a header image.)
Eventually, my home page will be a static page instead of the blog, but that won’t be happening for several months, I’m sure. In the meantime, don’t be alarmed.
Before I get too far, I’d like to point out that a lot of these thoughts are stemming from a few things: beta reader comments I received, reviews that I read on books that are similar to mine, and also things I’ve been learning recently about selling and publishing on Amazon. Some books from indie authors are more financially successful than others—and while I don’t think things like good cover designs, good book descriptions, and the use of well-researched keywords along with an apt selection of categories/genres are the only reasons for their success, they do tend to be a substantial part of it when you look a little closer.
With the right positioning, a book can get a decent amount of hits from organic searches over time and better reach its intended audience. But if you haven’t considered the market and don’t know and understand who your intended audience is or what they’re looking for, then how are you supposed to reach them? As a writer still weighing the pros and cons of self-publishing vs. traditional, these are the reasons I’m considering all of this now.
As I see it, knowing the answers to these questions from a writing standpoint is just as important from a marketing one.Read More »
Lately, as I’ve been pondering some of the feedback I’ve been getting on The Elementalist: Rise of Hara as well as the intricacies of publishing and marketing, I’ve been thinking about who the target audience for my novel might be because it’s very eclectic and therefore not easily categorized, in my opinion.
It never fully occurred to me until recently that this is actually a really important thing to figure out as an author—not just when you attempt to publish your novel but even while you’re getting feedback on early versions of your manuscript. (Some career writers would even say this should be considered before you start writing a novel.)
So why does this matter during the beta reader process?
Well, variety may be the spice of life and it’s very possible to learn something new from anyone you meet, but if what your story has to offer doesn’t really compliment the palettes of those you present your offering to (so to speak), then some of what you love about your story is liable to leave a bad taste in their mouths. Beyond this, every reader has his/her own standards for what they expect from a good story, and this can vary widely from genre to genre.
I think that’s why it’s important to seriously consider who your target audience is if you plan on publishing a novel so that your story is met with the best reception and financial success possible. Unless you don’t care about these things, in which case you might as well just skip my thoughts about all of this.
Different Reader Expectations for Readers of Different Genres
If you’re like me and know you could probably shorten your novel but have no idea how to go about doing that because “OMG, I love/need everything—the feeeeelz!”…then you just might like this post.
Writers who are looking for agents hear it time and time again: word count matters. But that doesn’t make it easier to contend with—especially if you’re a fantasy writer and you decided to create your own world. Finding beta reader(s) to take a crack at your novel can help you find some of your story’s problems. However, they won’t necessarily tell you outright, “Hey, I really think you need to shorten this book,” or, “Hey, I think you should cut X, Y, and Z out.” You may hear something more like, “This part didn’t really do much for me,” or, “I feel like it took too long for such-n-such to happen.” Some of that might be pacing or lack of development…or the opposite: too much development (in the wrong places).
Regardless, if you know you’ve written a doorstopper, then y’already know things need to shrink to have the best chance at finding representation and selling your novel (if that’s the route you want to go). My story is currently hovering around the 216K mark. I’m not expecting miracles—I truly feel this is a big story that will lose something vital if I try to take it to something like 120K, so I will pitch to UK agents or self-publish if I have to—but I do want to challenge myself to cut a minimum of 40K words. The good news is I found a ridiculously easy way to cut 25% of that goal with little to no heartbreak; the bad news is I still need to find where the other 75% (or more) is hiding.
So how am I planning to do that?
Well, I’ve talked about some of this before on the blog, but if you’re more of a visual-audio person and more specific examples then check out my video! You can easily adapt the process I talk about for your own particular needs. It’s certainly helping me see my novel in a more objective light, and I’m barely getting started. (Not claiming to be the first to do this, by the way. I just go about it differently.)
Oh, and here’s a helpful hint: when the highlighters stop flowing largely in the color(s) that you need them to: you’ve definitely got some issues…
Repeat after me: my novel will not appeal to everyone. My novel will not appeal to everyone. My novel will not appeal to everyone.
This may seem obvious to some, and maybe not so much for others, but this matters in some very big ways but also some very small ones.
Some people like having romance subplots in their stories. Others don’t. Some like detailed history and political intrigue. Others don’t. Some need happy endings. Others are a bit more open.
Do you see what I mean?
This is why before you can even decide what feedback to listen to or how to interpret it, you as the author must decide what your novel is really about, what’s most important in your story, and what it is you’re trying to achieve. (Chances are if you can’t sum up your answers to these questions in a couple sentences each, you need to give this some thought. And if your blurb is well over 200 words, then you’ve probably got too much going on.) You also have to understand your readers—what they like and don’t like, what they’re used to reading, and what makes a good story in their opinions.
You can make all the changes in the world, but none of those will matter if you don’t have clear answers to these questions.
Because without answers, there isn’t enough clarity to help focus your story, which makes it susceptible to being led in a direction that you don’t necessarily want it to go—and then you really won’t be happy with the results.
Why Finding the Right Reader(s) for Your Novel is So Important